Photography



A simple trip into the OSD to lower the brightness, change gamma to ‘Gamma 3’ and colour temperature to ‘Warm’ is all it takes for very respectable sRGB colour accuracy and gamma tracking. The monitor’s haze value is also a little lower than on most IPS panel monitors to help improve image clarity and vibrancy.
What makes these photography monitors?
The majority of modern PC monitors use the Twisted Nematic (TN) panel type. These are relatively cheap to manufacture, provide good all-round performance and are generally very responsive (and thus good candidates for 120Hz output technologies). They are limited by their viewing angles and colour reproduction, however, and are currently fairly restrictive when it comes to resolution. Even when viewing them from directly in front colours will shift noticeably across the screen and any given colour will appear a different shade depending on its position on the screen. These problems become even more pronounced on larger screens making them completely unsuitable for photography and any other tasks requiring a good degree of colour accuracy.
The monitors featured in this section contain panel technologies such as In Plane Switching (IPS) and Plane to Line Switching (PLS). These panel types are much more consistent when it comes to colour accuracy and viewing angles making them much stronger recommendations for photography, CAD/CAM and other colour-critical work. With these panels you aren’t always restricted to a ‘Full HD’ resolution either. The common resolution on 24″ screens is 1920 x 1200, on 27″ models is 2560 x 1440 and on 30″ monitors is 2560 x 1600. Some modern IPS and PLS variants also contain similar pixel overdrive technologies to those used in their ‘faster’ TN counterparts and have surprisingly low input lag. Going against the grain of their traditional counterparts, this makes them suitable for tasks involving fast motion such as film-editing and gaming.
